Women's Makeup INSIDE THE 17th Century 1

Women’s Makeup INSIDE THE 17th Century

Woman with a Mirror by Peter Paul Rubens (1577-1640), c. This informative article was originally printed at Your Wardrobe Unlock’d. The first part covers the history of makeup, the next my interpretation of makeup using period quality recipes. Makeup fashion was preferably static in the 17th century but in both first and is maintained years of the century makeup were generally applied more seriously than the mid-decades.

Lady in dark by Bartholomeus truck der Helst (1613-1670), c. The use of makeup was heavily criticized in various pamphlets, rather than all critics got a religious stance. Many voices expressed the opinion a woman who used makeup was a deceiver and a cheat just in case she was able to cheat with her designs, she would be capable to cheat on her hubby also. To be considered truly a beautiful woman in the 1600’s must possess a white skin. For doing that she stayed away from the sun as much as possible and it was quite typical to wear masks when venturing outside the house to protect the skin.

There were also a quite a range of cosmetic products directed to keep carefully the skin fair and remove pimples and spots. Skin care could add the extremely dangerous, today to methods that could be used, depending on what the cosmetics comprised. To the overall beauty regime, a well to do woman could then apply makeup.

  • Wash Lavender sprig
  • Nail polishes can send via earth only within the continental US
  • Doors, glass windows and frames of aluminium
  • Moodstruck Lip Exfoliator
  • Orange peel natural powder

Compared to modern benchmarks, this is quite primitive and consisted mainly of white and red color. There were, however, more than one option and even though some pigments used were very toxic, others were not and are available in cosmetics today. Lead white or Ceruse, a white pigment that has been used in makeup for 1000s of years. It is very toxic but both adhere and cover to dermis well, which is most likely why it was typically the most popular white pigment in makeup before the 19th century when Titanium dioxide arrived to production.

Titanium dioxide can be used in makeup products today is usually used as a lead-white swap, but it is 50% more opaque than lead white, so that it should be mixed with the same amount of grain powder. Mercury sublimate, a white pigment with a slight sheen, it also offers a whitening effect of the dermis.

As it is derived from Mercury it is rather toxic, though countries with less-discerning plastic rules still sell skin whitening products that have it. If you find it, don’t use it! It’s difficult to state using what to swap Mercury sublimate with, but one could probably get something similar if one merged some Bismuth with Lead white substitute. Bismuth oxychloride, a white pigment with an extremely metallic shine.